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The Last House Guest, by Megan Miranda
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Pressestimmen
Intricately plotted... Ms. Miranda brings heightened suspense and a twist to this familiar scenario by telling the story, which unfolds over 15 days, in reverse chronological order. * New York Times on All The Missing Girls * Are you paying attention? You'll need to be; this thriller will test your brain with its reverse chronological structure, and it's a page-turner to boot. * ELLE on All the Missing Girls * Both [Gillian] Flynn's and Miranda's main characters also reclaim the right of female characters to be more than victim or femme fatale... All the Missing Girls is set to become one of the best books of 2016. * Los Angeles Review of Books on All The Missing Girls * A twisty, compulsive read, I loved it. * Ruth Ware, author of The Woman in Cabin 10, on All The Missing Girls * A smart, suspenseful, and emotionally complex thriller... Lock the doors, turn off the phone, and read until the last satisfying page. * Alafair Burke, author of The Wife, on All The Missing Girls * The vivid description of this isolated town sets the stage for the revelation of Littleport's secrets...Miranda's exploration of how Avery's and Sadie's lives intertwine give the story its depth. Fans of Michele Campbell and Mary Kubica, who like family drama supporting their suspense, will enjoy. * Booklist * Compelling... An evocative... thriller * Kirkus * Will leave you on the edge-of-your-seat clutching onto your hubby for dear life. * Glamour * Miranda delivers a clever, stylish mystery that will seize readers like a riptide. * Publishers' Weekly (Starred review) * Dizzying plot twists and multiple surprise endings are this author's stock in trade, but she warms them up by establishing the close friendship between Sadie Loman...and Avery Greer...And, oh boy, does she ever know how to write a twisty-turny ending (or two, or more). * Marilyn Stasio, New York Times Book Review * A lightning-fast mystery, full of menace and unexpected twists and turns that will have readers on the edge of their seats. A riveting read! * Mary Kubica, author of The Good Girl * The perfect summer thriller ... twisty and tense, with a pace that made my heart race. An edge-of-your-seat, up-all-night read. * Riley Sager, author of The Last Time I Lied * Fast-paced and gripping. * People *
Über den Autor und weitere Mitwirkende
Megan Miranda is the author of the bestseller All The Missing Girls, and of her fantastic follow up novel The Perfect Stranger. She has also written several books for young adults. She grew up in New Jersey, graduated from MIT, and lives in North Carolina with her husband and two children. Follow @MeganLMiranda on Twitter and Instagram, or @AuthorMeganMiranda on Facebook. www.meganmiranda.com
Produktinformation
Taschenbuch: 352 Seiten
Verlag: Atlantic Books; Auflage: Main (20. Juni 2019)
Sprache: Englisch
ISBN-10: 1786492911
ISBN-13: 978-1786492913
Größe und/oder Gewicht:
15,3 x 2,5 x 23,4 cm
Durchschnittliche Kundenbewertung:
Schreiben Sie die erste Bewertung
Amazon Bestseller-Rang:
Nr. 18.273 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I am confused. Did I just read a book described as a “fast-paced mystery filled with twists and turnsâ€, that would “keep me on the edge of my seatâ€? I liken THE LAST HOUSE GUEST to a lengthy promo written by the Maine Bureau of Tourism, combined with a semi-predictable mystery.The story is set in Littleport, Maine, a prized vacation enclave for the wealthy. Despite the deep divide between townies and summer people, Sadie Loman and Avery Greer have been inseparable for several years. Not only is Sadie wealthy, but her her father is Littleport’s Big Cheese. Avery, a resident since birth, began working for Sadie’s father after her parents were killed in a car accident.To celebrate the end of summer, the young vacationers throw a bash at one of Mr. Loman’s rental properties. As Sadie’s best friend, Avery is on the guest list. The evening is abruptly interrupted when the guests learn that Sadie’s body has been found on the beach. Her death is ruled a suicide.Avery refuses to believe that her best friend jumped from a cliff and is determined to prove otherwise. Thus begins her mind-numbing investigation into Sadie’s death. The outcome is somewhat predictable.My primary issue lies with the characters. They are so one-dimensional that I feel no connection to anyone. Avery, skulking around town like Maine’s own Inspector Clouseau, wants to clear her name as a person of interest. Why one police officer has a person of interest in a case his tiny department declared a suicide is the bigger mystery for me.On and on the investigation goes. Ancillary characters are introduced, and the story gets too far down in the weeds. The denouement doesn’t come a page too soon.
The operant reading mode of Megan Miranda's THE LAST HOUSE GUEST is "Wait, what? Who? What?" Reading this contemporary suspense-thriller novel is like listening to a tedious someone confident in their own sense of charisma tell a story without context, dropping in names without explanation and leaving confusion about the order of events, until you finally stop trying to follow the thread and start plotting your escape.Worse, the someone in question isn't a good storyteller, larding their stories with endless asides in choppy, chunky sentences that veer wildly from fragments and run-ons to long lines snarled in rat's nests of clauses, independent and co-dependent, till you stop plotting your escape and start thinking about hurling yourself through a window. (Example: "But the summer bustle, the visitors. the way I was always on call, smile in place, voice accommodating—the house was a stark contrast. An absence you could feel; ghosts in the corner of your vision. ... Now each evening I'd walk by on my way to the guest cottage and catch sight of something that made me look twice—a blur of movement. Thinking for an awful, beautiful moment: Sadie. But the only thing I ever saw in the darkened windows was my distorted reflection watching back. My own personal haunting." Not exactly a prose style to turn pages or encourage those nearby to stop glancing at their phones.)If THE LAST HOUSE GUEST were a movie, it would be one that was 20 percent mostly undeveloped scenes and 80 percent claustrophobic voiceover. Such is what you get in novels in which one person does all the talking for the dead person whose death is the catalyst for everything that happened before and after. I've never read a novel like this in which I didn't wish mightily for the dead person to be given the freedom and power to speak for herself. Instead, we get the narrator's dreary, ceaseless drip of narcissistic self-pity. And if that's the story you've decided to tell, then at least tell the story in prose with glide, with a pleasant thrum of uncertainty that keeps pages turning, and not this graceless back-and-fill sentence style, full of over-clever withholding that keeps readers a little too deeply in the dark.Megan Miranda has some plot-twist chops, however, and the reveal of the killer is reasonably well done after a number of sharp-edged misdirections per the rigid dictates of the contemporary-suspense-thriller template. (Though attentive readers should be able to figure it out after a few chapters, if only because of one universal truism of every wealthy seaside community: the rich can't fully maintain their power over a place without the dirty-handed complicity of the corruptible poor.)
This was just bad. I don't like criticizing someone's work, but it really was. No spoilers, but if you have a marginal amount of common sense, you say out loud, "oh, come on!" like I did. The main character just happens to find all these clues that are so coincidental it's outlandish. The rest was so boring, I could not wait to finish it. There was a twist at the end, but it did not make up for the rest of it.
First book I read by this author but certainly not the last. Not going into storyline because you already know what the book is about and I don't want to spoil anything for you. This was an exciting book from beginning to end. Couldn't stop turning pages until I got to the end. Know that this book is not one to let you hanging, everything will be cleared up in the end. Really recommend this book if you like fast paced thrillers. Going to check out another book by this author right now. Enjoy.
No need to reiterate the plot as it's shown clearly in the synopsis. Just know that if you love great writing, complex characters, intricately-woven plots, and twists you can't anticipate, Miranda is one of the authors you should be following. This is the third psychological suspense book of hers I've read and they are all wonderful. This has a dual timeline but it was easy to follow and lent to the suspense. It deserves every bit of praise it's getting.
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